This book has been written to familiarise the clarinettist with the various rhythms and phrasings encountered in modern music. Each study deals with a particular aspect of rhythmic playing ranging from Jazz and Rock to modern Classical interpretation. They are of short to moderate lenght in order to maximise concentration on style. They are compiled in order of difficulty. Early to advanced grades.

Contemporary Italian-French composer Armando Ghidoni brings together influences of both Italy and France in his music. Also as an expert on jazz the harmonies and rhythms of the composer's works reflect a huge diversity Classical Fugue Goes Jazz for Flute Clarinet (or Alto Saxophone) and Piano is no exception. Ghidoni is significant within the contemporary French music school and his works are regularly chosen as set pieces for leading national and international competitions. Classical Fugue Goes Jazz (Trio) reflects Ghidoni's mastery of a range of instruments. With a typical performancelasting about 14 minutes Classical Fugue Goes Jazz (Trio) for Flute Clarinet (or Alto Saxophone) and Piano is a truly exquisite addition to the modern ensemble repertoire.

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano

Andre Laporte (b.1931) is a contemporary Belgian composer whose eclectic musical style draws on a wide range of neoclassical avant garde and postmodern techniques. His Reflections for Solo Clarinet wascomposed in 1970 for the Belgian conductor and Clarinet virtuoso Walter Boeykens (1938-2013). Subtitled Inner-space Music it was written shortly after the composer arrived at the Royal Conservatory of Brussels as alecturer in modern compositional techniques. It requires a delicate but precise treatment with microtonal slides and multiphonic chords. A challenging piece it is ideally suited to any advanced clarinettist looking to developtheir contemporary repertoire.

Teachers seeking further material for their pupils to relish and enjoy but without searching through quantities of music that is technically too challenging or inappropriate for the pupil's level need look no further. James Rae has carefully selected a variety of pieces suitable for the first 3 - 4 years of tuition from classical to modern and studies of all kinds. The pieces are presented in three groups: levels 1 2 and 3 providing a variety of tempting repertoire at each level.These books present an opportunity for pupils to broaden their musical experiences and explore the wide variety of music that is within their grasp. Selections include works by C. W.Gluck J. S. Bach Franz Schubert Johannes Brahms Anton n Dvorák Gabriel Fauré. Further pieces include: Scotland the Brave Hava Nagila and jazzy and latin pieces by Paul Harvey John Sands and James Rae.

13 Stücke für Klarinette und Klavier. Female composers such as Germaine Tailleferre, Johanna Senfter and Grazyna Bacewicz are justifiably becoming increasingly popular. This new edition presents pieces for A and Bb clarinet from the classical, romantic and modern eras. / Niveau : 3-4 / Recueil / Clarinette et Piano

Performed by Stanley Drucker clarinetAccompaniment: Judith Olson pianoAdvancing clarinetists will love this challenging collection drawn from widely used State Contest Pieces including great repertoire fromClassical (Mozart) Romantic (Brahms) and Modern (Hindemith) eras. The scores are annotated by the soloist on this album Stanley Drucker of the New York Philharmonic. Includes a high-quality printed music score annotated withperformance suggestions and a digitally remastered stereo compact disc with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist. Also includes a slow-tempo practice version of theRondo from Mozart's clarinet concerto to help you get up to speed.

Guest Spot Interactive-This interactive play-along folio contains 10 classic film themes in easy arrangements suitable for grade 1-3. Includes themes from classic and modern film's most popular soundtracks including Frozen Beauty And The Beast TheGreat Escape and many more. This title comes with SoundCheck an interactive practice tool. With automatic score following looping and tempo controls you can practise music your way. Also includedare professionally recorded backing tracks and demo recordings to stream or download as well as a digital version of your book to use on any device.

Par GADE JACOB. Jalousie is a tango written by Danish composer Jacob Gade in 1925, originally scored for full orchestra. It soon became popular around the world and is today a classic in the modern repertoire, including many arrangements for various instruments and ensembles. This publication is the first for clarinet and piano, arranged by Paula Corley, former Pedagogy Chair for the International Clarinet Association, with piano accompaniment edited by Stephanie Bruning. The work consists of two themes the first a temperamental theme in D minor, followed by a lyrical section in D major, both with a typical tango rhythm. It became Gade\'s most popular and successful work, enjoying numerous radio broadcasts and recordings. The work was premiered as accompaniment for the Danish screening of the silent film, Don Q, Son of Zorro on September 14, 1925 under the baton of the composer. / Date parution : 2022-09-20/ Répertoire / Clarinette et Piano